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Justin
Tranz is keenly aware that "hypnotism has never had the big
star."
Perhaps
TV stardom is the first means to that end.
After
five years of soldiering at the bottom rungs of the Las Vegas
entertainment ladder, Tranz is hoping a Playboy TV show will
help fill a larger room at the Sahara for the return of his live
act, "Hip-nosis." The late show shares the stage of
the upstairs showroom with an oldies package of
Coasters/Platters/Drifters spin-off acts.
"I'm
a no-name guy, but what can make it for me is TV exposure,"
Tranz says.
That's
why he was willing to subject himself to the syndicated
"Blind Date." Twice.
Being
stalked by TV cameras on a blind date, then mocked by word
balloons and narrated quips was worth the ego-bruising.
"Every time one of them would run, my ticket sales would go
up."
Tranz at
least gets to be the one controlling the humiliation on
"The Extreme Truth II," in which couples undergo
hypnosis to explore their sexual relationships. He auditioned
against 30 other hypnotists for the second season of the show,
which began airing on Saturdays this month.
Getting
the TV gig might a good omen that Tranz is ready "to be
that guy that breaks out and does it."
It's not
that he lacks perseverance.
The
Philadelphia native first had to conquer his severe stuttering
to become a stage hypnotist. "I felt that I could have a
very good quality of life if I could learn how to speak and
communicate with people," he says.
He broke
into the field as a hypnotherapist, but grew tired of the
weight-loss and stop-smoking clinics because "I always had
that bit of a ham in me."
A
fascination with hypnosis stemmed from a parallel interest in
stage magic and a carnival hypnotist he witnessed as a youth.
The act made the youngster wonder if he could use hypnosis to
make his parents buy him more toys.
Tranz
first came to town in 1992, when he made a deal with magician
Lance Burton to run a magic shop with Burton's name on it at the
Hacienda (where Burton performed before the Monte Carlo opened).
This
came after he found the comedy clubs and state fair circuit were
"all jammed up," with no room for a new hypnotist.
But for
some reason, no stage hypnotists worked the Strip in the late
'90s. Riviera entertainment director Steve Schirripa -- who
later became famous as an actor on "The Sopranos" --
first gave Tranz a late-night weekend showcase, which encouraged
him to try it full time.
In late
1999, Tranz alternated between weekend late shows in the
Flamingo's enclosed lounge and weeknights on the second floor of
O'Shea's, the Flamingo's small, separately themed annex.
The
hypnotist's notions of Flamingo stardom were dashed when the
hotel leased its room to The Second City comedy troupe in 2001.
The O'Shea's theater, originally built for a magic and
ventriloquism museum, had its ups and downs.
Some
days, Tranz found himself performing to a whopping 10 or 12
people. "Most would have packed it up, gone home," he
recalls with a laugh. "But that's what made me
stronger."
A
comedian telling the same jokes to a small crowd won't get the
same laughs he would in a more crowded room because
"laughter is contagious," Tranz says. While some of
the other local hypnotists will cancel a show that doesn't sell
100 tickets, "you show me the guy who is doing it with less
than that, and that person has skills."
Tranz
says he had built O'Shea's to the point of turn-away business
before the Sept. 11, 2001, attacks, and afterward had to deal
with the ongoing attempts by Caesars Entertainment to close or
sell the property. By the time he finally got his eviction
notice this past May, "The Extreme Truth" had come
along.
Since he
first launched "Hip-nosis," Tranz said he has speeded
up the act and minimized the time it takes to put volunteers
under. If you're looking for a clinical explanation of hypnosis,
you'll have to look elsewhere. "Most hypnotists aren't very
entertaining people onstage," he says. "My goal is to
make people laugh."
"I've
learned so many things in the last five years," he adds.
"That's what makes me stronger as a hypnotist. It's just
that I do it all the time. I believe that's the reason I got the
(TV) show. It's because my skills are just that much stronger,
only because I work more."
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